Sets(locations) all have a face. They have as much character and meaning as a human face.
被拍摄的场地都像人一样有自己的相貌。他们和电影中的角色一样富有意义，一样面目清晰。
When you reach the end of the road, you feel a sense of peace.
当你走到了路的尽头，你会感受到一种内心的平静。
You can only film reality, but you can also create it. You extract what you want from reality. That’s fiction.
你只可能拍摄现实，但是你也可以创造现实。你从现实里提取精华，这就是我理解的虚构。
When you shoot a move, you create an order, related to the location of your actors, and the may you make them move. Everything leads to focusing on your own point of view. You must find your point of view, where you see the world from, and that will be the screen.
当你拍一部电影，你创造了一种顺序，和你的场景和演员相关的顺序，同时这也是你自己拍电影的方式。一切最终都通向你的视角。你必须找到自己的视角，从这里你来看整个世界，这也就是你电影里的屏幕。
It’s quite a feudal system, because someone has to decide how to position the camera, and democracy does not belong in the world of art. There is no democracy in art, no more than in life.
这是一个非常封建独裁的系统，因为必须有人决定如何来移动相机，民主不存在于艺术的世界。艺术的世界里不存在民主这回事儿，艺术世界里的民主一点也不必真实生活里多。
It was great to be there, to film in this good atmosphere. Even though it is poor, it is human, very human. A farmer.
能在这里拍摄真的太好了，在这么棒的氛围里。即使这里贫穷，这里充满了人性，非常的有人性。一个农民。
