第一集
随着媒体化与信息化，画作已不是唯一性，也不再单纯的静止性，因为画是静止的（变成了一个走廊，连接画作展出那刻和你观看她的时刻（这个比喻太好了））所以容易被操纵、利用，而最简单的操纵方式就是移动或声音，随着镜头人为的移动、音乐化、和与当时的环境情况，会产生不同的认知变化。
its as if the painting, absolutely still, soundless, becomes a corridor, connecting the moment it represents with the moment at which you are looking at it, and something travels down that corridor at a speed greater than light, throwing into question a way of measuring time itself. Because paintings are silent and still, and because their meaning is no longer attached to them but has become transmittable, paintings lend themselves to easy manipulation They can be used to make arguments or points which may be different, very different, from their original meaning. And because paintings are essentially silent and still, the most obvious way of manipulating them is by using movement and sound.
画作的不再唯一性，复制品，印刷品等同时也被人们用来描述或再创造各种体验（属于自己的感触体验）
但经常阻扰这一自发性过程的是一种围绕着对艺术的神秘的虚假化，例如一些艺术书籍，当复制品变得唾手可得以后，围绕画作的文字就变的不那么平易近人了，害怕一种直接易懂，不想让大众以自己的方式去理解作品，形成一种误导化
孩子往往可以通过她们的体验感触直接阅读画作，从而看到更多成人无法注意到的
